Why Splash Mountain in Japan Still Matters

On The Pro Show this Thursday, we'll be talking about a new attempt to force Japan to change their Splash Mountain. For some people, it's just a ride. For others, we know it means more. I'd like to share with you the history of James Baskett, who played Uncle Remus. As you read along, consider that this is why the attraction should be preserved in the last place it still remains.

James Baskett, an African American actor and singer, remains an important but often overlooked figure in the annals of American entertainment history. Born on February 16, 1904, in Indianapolis, Indiana, Baskett’s career was marked by significant achievements, most notably his groundbreaking performance as Uncle Remus in Walt Disney’s 1946 film "Song of the South." His portrayal earned him an honorary Academy Award, making him the first African American male performer to receive an Oscar.

James Baskett originally aspired to study pharmacology at college in Indiana, but the financial constraints of the Great Depression thwarted these plans. He was a man of African descent, a descendant of slaves, but he was no victim. He was a genius unrelenting his aspiration to become someone of importance and doing good in the world. Instead of pursuing pharmacology due to the poor economy, he turned to acting, a decision that would lead him down a path of significant historical importance, albeit one fraught with the racial challenges of his time. Baskett began his entertainment career on stage in the all-Black musical revue "Hot Chocolates" and later moved to New York City, where he joined the cast of the popular radio show "Amos 'n' Andy," playing the role of lawyer Gabby Gibson. There he would meet Nick Stewart, the voice of Bre'r Bear, and the future father of Valerie who was on the Pro Channel before her passing.

Baskett’s most famous role came somewhat serendipitously. Initially auditioning for a bit part in Disney's "Song of the South," he impressed Walt Disney so much that he was cast as Uncle Remus, a character who narrates African American folk tales to a young boy, helping to bridge generational and racial gaps. These stories featured the animated antics of Br'er Rabbit, Br'er Fox, and Br'er Bear and are remembered for their cleverness and moral lessons.

Despite the film's success, it has been embroiled in controversy due to Disney's refusal to give the NAACP directorial and writing control over the picture. He viewed it as a step too far in control over his studio and company -- and one he feared was overtly political. Over the years, "Song of the South" has been criticized for perpetuating an outdated and romanticized view of African Americans, leading to its absence from public release on any home video format in the United States. However, that view only arose truly when Bob Iger took over as CEO of Disney. In fact, when Song of the South was re-released in 1987 for theaters, it performed astoundingly well. It had not yet been stigmatized outside of the original conflict with the NAACP. By the time Splash Mountain opened, however, the NAACP endorsed the ride.

In recognition of his exemplary performance as Uncle Remus, James Baskett was awarded an honorary Academy Award in 1948. The Oscar was given for his "able and heartwarming characterization of Uncle Remus, friend and storyteller to the children of the world." It was a momentous occasion, as Baskett became the first African American man to win an Oscar, following Hattie McDaniel who had won a competitive Academy Award for her role in "Gone with the Wind" in 1940.

Tragically, Baskett's health deteriorated during the filming of "Song of the South." He suffered from heart disease and diabetes, conditions that were exacerbated by the stress and physical demands of his role. He passed away on July 9, 1948, just months after receiving his Oscar, at the age of 44. Nick Stewart, the voice of Bre'r Bear, claimed that Baskett died of a broken heart because of the way the NAACP had turned against the film due to political posturing.

James Baskett's life and career were marked by groundbreaking achievements and the harsh realities of racial discrimination in mid-20th century America. His portrayal of Uncle Remus remains a pivotal, if controversial, moment in cinema history, highlighting the complexities of race, art, and representation. Baskett's legacy is a testament to his immense talent and the profound impact he had in paving the way for future generations of African American actors and artists. His story remains a powerful reminder of the capacity of film and storytelling to influence society and cultural perceptions.

And that's why having at least one Splash Mountain open and available remains so important. It's at least one final reminder of the man who actually did the hard work of breaking into an industry with an academy award that no person like him had ever achieved before. And every man of African descent who followed owes him a tremendous debt of gratitude. I'd dare say we all do, regardless of our skin color.

Your pal,
Pro